He gives her shelter in one room in a building owned by Chettiyar, telling Chettiyar that his friend did not get the bus to go back home. She was on the verge of committing suicide when Premachandran rescues her. He sees Kanmani leaving the house and is puzzled. One night, Premachandran goes to his workplace to take his tools. Seethamma lives along with her daughter, Kumari, who has a liking towards Premachandran. Kanmani, who was sold by her mother, works in that house as a servant and is ill-treated. They are now working on a house near the house of a rich landlord. Premachandran is a carpenter who lives along with his father, Balan Master, and works along with his friend, Manikandan. ( June 2020) ( Learn how and when to remove this template message)
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You can provide one by editing this article. Rating: 0 / 5.This article needs an improved plot summary. The film which extends to a little more than 2 hours and 40 minutes is definitely a safe selection for every family viewers. Overall poised to become a sure hit, the film highlights the dexterity and fluidity in Sathyan's story telling abilities. Sathyan's script is soulful but his launch into dialogue writing, sometimes is tied to cliches. The film is told in a slow pace, but most characters shows integrity and live through their contradictions that is usually untouched by mainstream cinema. The film also has four good songs crafted by Gireesh Puthencherry and Ilayaraja. This visual plan of presentation is evident in almost all scenes which cut to wide shots frequently to display graceful god's own country. The major highlight of the film is the cinematography by Azhagappan, which brilliantly captured the florid greenery of some of the most beautiful Kerala villages of Moolamattom and Kanjar. Lalitha, Oduvil Unnikrishnan, Mamukoya,and Siddhique have raked in good support to the lead pair. The rest of the film revolves around perplexed chances for a new life for Kanmani and Premachandran.Įventhough Kanmani's character defies logic in some sequences, Meera Jasmine has displayed excellent performances to present it with life. Everyone admires the boy's vigour in house keeping and his character and Manikantan Moothassary (Innocent) even hires him to help him in his carpentry works., while the localpolice is searching distances for the girl who is mysteriously missing. Kanmani is now camouflaged as a male boy Velayudhankutty, and is brought to the house of Premachandran. Played by Meera Jasmine, Kanmani's disheartening fate and her struggles in the household establish a sympathy in the minds of Premachandran, who in the later turn of events, is forced to rescue Kanmani, for saving her life. The film tells the story of a father and his loving son, living isolated from their bigger family in a remote, picturesque village.Įffectively portrayed by Lal and Bharath Gopi as Premachandran Asari and Balaan Maash, in intense, passionate sequences, the story builds itself a new dimension with Premachandran finding affection in a tamil servant girl 'Kanmani'. Openly and with sincerity, it relates a story about entangled and difficult relations of principal characters. The film is about sensitive individuals enmeshed in cruel, social realities. Sathyan Anthikkad has managed to present Lal in a more human, logical nextdoor characterisation thus creating a solid film to stand out as one of the summer's highly admired family drama. Mohanlal is back to his known, strong territory, with effortless, effusing acting styles and subtle humour. Rasathantram, meaning 'chemistry' did certainly worked out the chemistry between the actor and director creating another film for jubilation. But now, adding feathers to their caps is a film which unites them after 12 years- Rasathantram.
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A lot has been spoken about the magic of Sathyan Anthikkad - Mohanlal films of yesteryears.